John F. Kennedy, Tammany Hall  NYC 1959

©George S. Zimbel 1959/2013

Printed by gsz 20/16″/2001 Log # 3114

 

 

 

 

 

 

 

 

<img src=”http://www.georgezimbel.com/blog/wp-content/uploads/2013/03/1.Boy-in-a-car-Nice-France-1953-LR.jpg” alt=”1.Boy in a car, Nice France 1953 LR” width=”1500″ height=”932″ class=”aligncenter size-full wp-image-1628″ /

One of only four sets in this size printed by the artist on 24″/20″ Agfa Classic SG paper for a retrospective exhibition in 2000 at Institut Valencia D’Art Modern in Spain. Signed in pencil au verso. More recently exhibited at Musee Populaire de la Photo in Granby Quebec. There will be no others printed by me in this size. Works from this series are in the collections of Museum of Fine Arts Houston, Musee des Beaux Arts de Montreal, ICP, Brooklyn Museum, Norton Museum, Musee d’art et histoire de Luxembourg, Musee d’art Contemporain de Montreal, Musee des beaux-arts du Quebec, Confederation Arts Gallery & Museum.
For information contact George S Zimbel or one of his excellent dealers.

© George S. Zimbel 1954/2013

© George S. Zimbel 1954/2013

Look Left © George S. Zimbel 1954/2013

Get Down © George S. Zimbel 1954/2013

© The Toosh ©George S. Zimbel 1954/2013

The Flower ©George S. Zimbel 1954/2013

Backstory: These kids were our neighbors at 647 Second Avenue……Butch & Jub Jub by name. They were hustling spare change from the cab drivers who came in an out of the tire shop on the same block.
Butch was a bit agressive and if he didn’t think he received a proper handout, he was a pioneer in the use of the expression “Fuck you!!”
Printed on Dupont Sg paper 1966. Trimmed flush H 25cm/w 16.5cm, Monkmeyer stamp & signature au verso. Condition excellent. Small crack on lower left corner.
Contact George or one of his excellent dealers for price .

In 1960 I did not to go to the political conventions. I had done this in 1956 but I was tired although still a political junkie. I decided to watch the Nixon-Kennedy TV debate on my black & white television.

I quickly realized this debate was a game changer for political campaigns and raced to my storage cabinet, grabbed a tripod a camera and a cable release…all the time trying to remember the correct exposure for television.. ( It was 1/15th at f2.8 with TX.)

But after shooting a few frames I decided it was a boring exercise and almost quit when I realized that the camera 1/ camera 3 crossover might produce something interesting. Of course I didn’t know if I was right until I had developed the film, but on the other hand those negatives are still fine after 52 years..take that computer!

The series of five frames has become part of my “Still Movies” series and is now in the permanent collection of Musee d’art Contemporain de Montreal and has been exhibited in museum shows in Canada, U.S., Spain & Japan.

It will be up for auction at Swann Galleries in NYC on October 4. [ Item 153]. I will not be reprinting this or any of my Still Movies. There are less than ten copies extant .

Sometimes you get excited about a picture, make a print and put the negative in a “special place”..bad idea!. Recently as I checked five frames of Elaine from 1955 I noticed one at the end that was different . I took my magnifier out and shouted “Hooray”. I don’t know what a street scene was doing on the end of a strip of portraits of my dear wife, but there it was. It is now extant in three 16/20 SG prints..I immediately went into my lab and printed it on the new Ilford Art 300 paper which I am still testing. The original print was in my IVAM retrospective in 2000.

 

©George S. Zimbel 1955/2012

SWANN AUCTIONS
FINE PHOTOGRAPHS & PHOTOBOOKS
February 28, 2012 at 2:00 PM
Sale # 2270
Illustrated Catalogue : Full Details for Lot 73
www.youtube.com/watch?v=8z6T3tyVB3A

When the late John Cleary suggested that I do a Marilyn Monroe Portfolio from my Seven Year Itch session, I carefully chose nine prints. The idea of printing an edition of 50 was overwhelming, since I make and sign my own work. Of course I didn’t make 50, I think it was 19 and I stopped. Then the frequently asked question started happening: “Are there any other images from this shoot?” My answer” Yes”. I had printed and exhibited others, but I did not relish making another edition . I still print my own work. It’s a philosophical matter.
During a recent meeting with my friend Daile Kaplan, Director of Photography at Swann Galleries, I floated the idea of adding a number of my Marilyn exhibition prints to the existing portfolio in an edition of 1. She agreed and here it is. We call it “The Enhanced Marilyn portfolio”. It includes my favorite, “Serious Marilyn” which is in the collection of the Brooklyn Museum.